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'Ar:range:ments': Esther Kondo Heller in Conversation With Jumoke Adeyanju

Can words hold a note? Can language foam like a mouth? In Ar:range:ments, Esther Kondo Heller creates textual & visual language that escapes the page to utter and speak past the record, the archive, and the document. What arrangements exist between a mother and child? In listening to Black queer life in Berlin, Mombasa, and London, the action of arranging becomes a means of sounding out a collective utterance of Black survival with joy amidst grief, colonialism, medical racism, and loss.

Ar:range:ments collectively thinks with, amongst others, the works of Audre Lorde, May Ayim, Fred Moten, NourbeSe Philip, Harryette Mullen, Diana Khoi Nguyen, Victoria Adukwei Bulley, Marvin Gaye, Taylor Johnson, and Gabrielle Octavia Rucker.

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Esther Kondo Heller is a poet, critic, scholar, and filmmaker from Berlin and Mombasa. Their debut collection AR:RANGE:MENTS (Fonograf Editions, 2025) is a textual and visual engagement with language to make a language that can carry grief, sound, and a collective utterance. Heller's writing has appeared, amongst other places, in the Georgia Review, BOMB, Modern Poetry in Translation, and The Guardian. 

Jumoke Adeyanju is an award-winning multilingual curator, dancer, poet, radio host, and interdisciplinary artist. Founder of Poetry Meets, her work explores diaspora, memory, dreamscapes, and displaced identities through sound, movement, and poetry. She holds an MSc in African Politics from SOAS University of London and has presented work internationally, including at the Dak'Art Biennale 2022 and Nairobi Contemporary Art Institute. She writes and performs in English, German, Kiswahili, and Yorùbá, and is Editor-in-Chief of the Poetry Meets anthology Togetherness (2025).

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Shakespeare & Sons
Thursday May 28 / 18:45
Wine and Other Drinks Available
Free and Welcome to All